The orchestral instruments department covers all the instrument subjects in the woodwind, brass, strings, and percussion families, the harp class and the orchestra conducting class.

The department is made up of a team of renowned professors, who are both teachers and accomplished performers. Their great diversity of personalities and career backgrounds results in a very wide range of creative and pedagogical proposals from which our students can benefit.   Prestigious artists are regularly invited to the department to give Masterclasses or work on special projects.

The training offered in the department rests on a good balance between individual classes and group playing. Group playing is a strong area of focus for the department. Whether it be a chamber music project or orchestra sessions, there is a particularly large number of opportunities for playing at the school, throughout your studies. You will also rub shoulders with the professional world thanks to our regular collaborations with the region’s professional orchestras and ensembles, such as the Orchestre de la Suisse Romande, the Orchestre de chambre de Genève, the Orchestre des Pays de Savoie and the Contrechamps ensemble.

As part of a permanent dialogue with our professors, the department offers its students a place of inspiration and exploration, and numerous opportunities to personalize their educational pathway. In particular, the department offers openings into creativity and contemporary music, the music of the past and music from outside Europe.  You will have a chance, for instance, to take part in creating new works by our composition students, and will be able to get an initiation in the playing of historical instruments. The richness of our department also lies in the cultural diversity of our students, who come from all over the world, offering you an extraordinary meeting space and a place for emulation.

Our ambition is to train our students at the highest level, helping them to become accomplished musicians while also developing their own artistic personality.  We make every effort to develop their employability, not least through the development of the transversal skills that are vital for their professional advancement. The prospects for professional growth that are open to our students are particularly numerous and varied:   orchestra musician, orchestra conductor, teacher, but also entrepreneurial musicians or indeed concert producers or organisers. The many successes that our alumni have enjoyed attest to this.

The HEM Orchestra

The Orchestra of the Haute école de musique de Genève (HEM) is formed of students from the institution. It benefits from partnerships with renowned professional formations in the Lake Geneva and Neuchâtel regions, and interest from renowned conductors.

An important cultural player in the region, the Orchestra of the HEM regularly collaborates with the Grand Théâtre de Genève (GTG), the Paléo festival in Nyon and the Archipel contemporary music festival. The orchestra academy that is organised every two years with the Zürcher Hochschule der Künste (ZHdK), under renowned conductors, is a major event in the life of the school.  The Orchestra of the HEM regularly collaborates with the Orchestre de la Suisse Romande (OSR), the Orchestre de Chambre de Genève (OCG), the Ensemble Symphonique Neuchâtelois (ESN), and the Orchestre des Pays de Savoie (OPS).

The promotion of the contemporary repertoire, close ties with the HEM’s composition class and the many collaborations with Geneva’s Contrechamps contemporary music ensemble enable our students to perform music from our times and create the works written by our young composers.

The Orchestra of the HEM is conducted by renowned conductors, including Jukka-Pekka Saraste, Leonardo García Alarcón, Pierre-André Valade, Emmanuel Krivine, Pierre Bleuse, Markus Stenz and Domingo Garcia Hindoyan.

It is also conducted by students in the HEM’s orchestra conducting class (Professor Laurent Gay), during sessions organised within the framework of the course of studies. 

Since it was first created, the Orchestra of the HEM has taken part in the recording of several discs, some of which have earned international critical acclaim.

HEMisphère ensemble

The HEMisphère ensemble was born in 2021 at the instigation of some professors at the HEM, all of whom are concert performers with international careers. Usually playing without a conductor, this chamber group is led by a group of professors who play alongside outstanding students from the HEM, selected on the basis of auditions.

Its line-up, which can be adjusted as necessary, depends on the projects it is taking on. At times a string orchestra, and at other times a wind ensemble, or a hybrid ensemble for new works or a Mannheim formation, this new ensemble brings together individual teaching, chamber music and in-depth orchestra playing.

An ambassador for a cosmopolitan and international Geneva, this excellent group initiates cross-disciplinary experiences with other Higher Schools, such as the HEAD or the Manufacture, and weaves connections with other key players in the cultural life of Geneva, such as the Geneva Competition, the Grand Théâtre and the Bellerive Festival. It also makes it possible to create ties with the HEM’s alumni and inter-departmental interactions, by calling on numerous subjects, such as composition, multimedia, dance and even, perhaps, theatre.

Ensemble 21

The HEM's Ensemble 21 is a flexible ensemble dedicated to contemporary repertoires and creation.

Many composers have honoured it with their presence and shared their advice with HEM students: Henri Dutilleux, Sofia Gubaïdulina, Maurice Ohana, Edison Denisov, Klaus Huber, Elliott Carter, Ysang Yun, Eric Gaudibert, Yoshihisa Taïra, Heinz Holliger, George Benjamin, Helmut Lachenmann, Michael Levinas, Toshio Hosokawa, György Kurtág, Pascal Dusapin, etc.

Led by guest conductors, Ensemble 21 has collaborated with, among others, the Grand Théâtre de Genève, the Contrechamps ensemble, the Société de Musique Contemporaine de Lausanne, the Nouvel ensemble contemporain (NEC), the Amadeus Festival and the Archipel Festival. Radio Suisse Romande has recorded it at several events.

Ensemble 21 was founded on the initiative of Jean-Jacques Balet, a former professor of chamber music and accompaniment at the HEM and a passionate lover of contemporary music. Continuing this project, which was so dear to his heart, is a way of paying tribute to him.

L'Orchestre atelier (for students studying orchestral conducting)

Composed of students from the institution, the Workshop Orchestra is a flexible ensemble that forms an integral part of the HEM's offering in terms of collective practice.

A veritable laboratory, it allows students in the conducting class to gain real-world experience of their discipline, with an average of one two-day session per month, in addition to their theory and piano lessons.

In a spirit of healthy competition, the workshop orchestra sessions allow musicians to tackle key works from the classical repertoire to contemporary music, under the baton of young conductors and the supervision of Laurent Gay, professor of conducting.

These sessions also provide an opportunity several times a year for students at the institution to take their first steps as soloists with an orchestra.

This training is also used for conducting courses for choir conductors, students of maestro al cembalo and composers, who can thus learn about orchestral conducting in extremely practical conditions.

Red Flag Ensemble

The Red Flag Ensemble is an ensemble composed of students from the HEM. Under the guidance of our professor Hélène Escriva, the Red Flag Ensemble designs and implements experimental artistic projects with unlimited aesthetics by collaborating with artists from diverse backgrounds. Conceived as a living laboratory, it cultivates creativity, interdisciplinary encounters, non-conformism and conviviality.

HEM Big Band

Under the direction of our saxophone professor Joshua Hyde, the HEM Big Band brings together HEM students to perform a repertoire of jazz standards in a large ensemble, in the grand tradition of the legendary bands of Duke Ellington, Count Basie and Benny Goodman. Since its creation in 2023, the HEM Big Band has been regularly invited to perform at major festive events. Notably, it opened the 2024 Geneva Music Festival on the forecourt of the Grand Théâtre and provided the entertainment for the closing dance party celebrating the HEM's 15th anniversary at the BFM in Geneva in February 2025.

The Department Through Videos

Studies

Teachers of major disciplines

Antonello Mazzucco

Professeur de trombone basse

Antonello Mazzucco graduated from the Conservatorio di Santa Cecilia in Rome. At the same time, he attended the Konservatorium für Musik in Bern, studying under P. Bucher. In the United States, he studied with C. Vernon, bass trombonist with the Chicago Symphony Orchestra, A. Jacobs, brass professor, and J. Alessi, principal trombonist with the New York Philharmonic. In Italy, he continued his studies with A. Conti, principal trombonist with the Florentine May, now principal trombonist with the Accademia di Santa Cecilia. For about three years, he played in the Orchestra della Svizzera Italiana as a bass trombonist, and for short periods with the Filarmonica della Scala and the Accademia di Santa Cecilia in Rome. In 1995, he won the competition for tenor trombone and bass trombone with the Rai National Symphony Orchestra, where he still works today. He has been working for over ten years at the Fondazione Fossano Musica, a music institute where he also organises masterclasses with international teachers. He is active in the field of chamber music as a member of the Spilimbrass quintet, with whom he has also recorded a CD.

Quatuor Belcea

Quatuor en résidence

Composé de Corina Belcea (violon), Suyeon Kang (violon), Krzysztof Chorzelski (alto) et Antoine Lederlin (violoncelle), le Quatuor Belcea bénéficie d’une solide réputation sur la scène musicale internationale et affiche déjà une discographie impressionnante.  L’éventail de son répertoire embrasse toute la musique écrite pour quatuor de Haydn, Mozart, et Beethoven, jusqu’à Bartok, Janacek, Britten et Szymanowski. En outre, il présente régulièrement au public des œuvres de compositeurs actuels. La présence du Quatuor Belcea au sein de la HEM représente une opportunité unique pour les étudiant-e-s de bénéficier d’une formation pratique et théorique complète dispensé par un ensemble expérimenté connaissant parfaitement toutes les facettes du métier de musicien-ne. Nul doute que le professionnalisme, la curiosité et l’éclectisme du Quatuor Belcea seront des sources d’inspiration pour nos étudiant-e-s tant dans le répertoire classique que contemporain. Site internet du Quatuor Belcea

Loïc Schneider

Professeur de flûte traversière

Loïc Schneider will join the HEM as flute professor for the 2027–2028 academic year An internationally renowned flutist, Loïc Schneider has established himself as one of the most brilliant artists of his generation. Recognised by his peers for his artistic qualities, he has won numerous major competitions, including first prize at the Nicolet Competition in 2006, the Larrieu Competition in 2007 and the prestigious ARD Competition in Munich in 2010 (first prize and audience prize). These distinctions have taken him to the world's greatest concert halls (Bunka Kaikan, Herkulessaal, Bamberg Philharmonie, Lotte Hall, Taipei National Concert Hall, etc.) and fuelled a particularly remarkable career in Asia, where he performs regularly in China, Korea and Taiwan. Trained in France in Strasbourg, his hometown, then in Paris at the CNSMDP, he began his orchestral career at a very young age: at only 22, he was appointed principal flute of the Orchestre National de Lorraine, before joining the Orchestre de la Suisse Romande in Geneva in 2009 in the same position, under the direction of leading conductors. A sought-after soloist and renowned teacher, he is frequently invited to sit on the jury of major international competitions (Geneva, Nicolet, Cluj). He also gives numerous masterclasses around the world, both in Europe and Asia. Always passionate about passing on his knowledge, he has been teaching for over ten years at the Haute École de Musique de Lausanne (HEMU).

portrait du tromboniste Antonello Mazzucco
Photographie du Quatuor Belcea
Le professeur de flûte traversière à la HEM Loïc Schneider
Teachers of minor disciplines
  • Pierre Burnet
    Didactique instrumentale ou vocale
  • Damien Desbenoit
    Coaching baroque
  • Céline Gay-des-Combes
    Didactique instrumentale ou vocale, Didactique instrumentale (harpe)
  • Vincent Godel
    Contrebasson
  • Julia Heirich
    Traits d'orchestre en section (cor)
  • Yann Kerninon
    Lecture à vue
  • Jörg Lingenberg
    Didactique instrumentale (flûte traversière), Didactique instrumentale ou vocale
  • Sylvain Lombard
    Cor anglais
  • Antonello Mazzucco
    Trombone basse
  • Matteo Mela
    Musique de chambre
  • Vincent Metrailler
    Traits d’orchestre en pupitre (pour cornistes, trombonistes et tubistes), Traits d'orchestre en section (cuivres), Traits d'orchestre en section (trombone et tuba)
  • Davide Montagne
    Didactique instrumentale ou vocale
  • Emmanuel Morel
    Traits d'orchestre en section ou en pupitre (alto)
  • François Payet-Labonne
    Traits d'orchestre en section ou en pupitre (violon)
  • Olivier Piguet
    Didactique instrumentale (violon et alto), Didactique instrumentale ou vocale
  • João Rodrigues Oliveira
    Didactique instrumentale ou vocale
  • Hilmar Schweizer
    Traits d'orchestre en section ou en pupitre (violoncelle)
  • Sébastien Singer
    Didactique instrumentale (violoncelle), Didactique instrumentale ou vocale
  • Rosnei Tuon
    Traits d'orchestre en section ou en pupitre (violon)
  • Maxime Van Heghe
    Stage dans un orchestre professionnel
  • Benoît Willmann
    Clarinette Mib
  • Ivy Wong
    Traits d'orchestre en section ou en pupitre (contrebasse)
Accompanists
  • Francesca Carta
    Accompagnement au piano
  • Damien Desbenoit
    Accompagnement au piano
  • Julie Sturzenegger
    Accompagnement au piano

Research projects

Events

Testimonials

Ce que j'aime à la HEM, c'est la possibilité de jouer aux côtés des musiciens professionnels de l'Orchestre de la Suisse Romande (OSR)

Florence Laurain Master of Arts en interprétation musicale orientation concert

La réputation internationale de la classe de percussion de la HEM permet d’attirer beaucoup d’étudiant-e-s de grand talent !

Antonin Jaccard Etudiant en 3e année du Bachelor of Arts en Musique

La HEM propose un cursus en adéquation avec les attentes du monde professionnel et m'y prépare en mettant en discussion mes aspirations et la réalité du métier de musicien

Mattia Bornati Etudiant en 2e année de Master de direction d'orchestre

Contact information

Responsable du département

Secrétaire de département

Assistant attaché au centre de percussion

Assistant HES en charge de l'orchestre et des projets spéciaux