The vocal department offers modern and complete training in all aspects of singing and prepares students for the demands of a career in lyrical art.

Whether it be as a soloist, choir conductor or teacher, the students gain in-depth knowledge from an international teaching staff on both courses, singing and specialist choral direction. Supported throughout in their individual artistic development, they perfect their musical, linguistic and stage-based skills, and also their capacity for interaction in the professional world. 

Numerous Masterclasses and seminars given by figures of great renown in the lyrical world reinforce this teaching approach and lead to in-depth insights into the profession. With this aim in mind, our students regularly take part in the concerts and opera productions that thrive throughout the Genevan basin. These performances are regularly put on in collaboration with the HEM’s other departments, such as the early music department, the orchestra conducting classes or the piano accompaniment classes.

Our students also have the chance to add an international element to this experience on the stage, via the European Opera Academy, an exchange programme that the vocal department is involved in, and that offers targeted training in various fields associated with lyrical art.

The vocal department fits into a deep-rooted Swiss choral tradition, and for that reason it also includes a class on choir conducting and numerous voice ensembles, such as the chamber choir. The chamber choir is an excellent choir that performs challenging programmes, a cappella or with an orchestra, in collaboration with prestigious partners like the Orchestre de la Suisse Romande.

Furthermore, the vocal department has forged precious partnerships with renowned regional institutions such as the Grand Théâtre de Genève, the Orchestre de Chambre de Genève and Genevan baroque ensembles.  These partnerships give rise to productions that enable our students to sing as soloists or members of the choir. A long-running collaboration with the Gustav Mahler association enables our students to gain in-depth knowledge of the repertoire of the Lied within the framework of the Mahler competition.

The HEM’s Chamber Choir

Historically, the choral tradition has always had particular importance at the HEM and in Switzerland more generally. The HEM’s Chamber Choir is one of the school’s permanent groups. It offers students in the vocal department the opportunity to tackle a demanding choral repertoire, requiring proven technique and vocal quality.  This excellent choir performs a cappella or with a backing orchestra, in collaboration with prestigious partners such as the OSR. The repertoire of the HEM’s Chamber Choir ranges from Renaissance music to contemporary works.  The choir has collaborated on the creation of several works by modern-day composers.

The Chamber Choir is currently conducted by the Brazilian conductor Celso Antunes.

The HEM’s Choral Workshop

The HEM’s Choral Workshop is one of the school’s permanent groups, aimed at providing a hundred students from every subject area with the chance to be part of an ensemble. The students are mainly pianists, organists and guitarists, but may also be students in theoretical branches of study, from the Music and Movement course, and a number of specialist singers.

Forming part of the ‘artistic community’ projects that shape everyone involved in the musical life of the school, the Choral Workshop initiates autonomous artistic projects and also collaborates on major projects at the HEM and with external partners.

Choral workshops for leading a choir

The choir workshops are applied choirs for students taking the choir conducting class.  They are formed of students of singing, along with external singers who help to swell the numbers.   Each session makes it possible to work on a new repertoire, which ranges from Renaissance chants to modern-day music. The workshop choirs feature in several activities arranged by the vocal department, such as the regular lessons of the choral conducting class, a masterclass on choral conducting, the conducting students’ exams, the choral arrangement classes, etc. These workshop choirs represent precious opportunities for the students of conducting to be able to work with a professional-level choir, but also for the singers, who have the chance to perfect their choral practice and tackle the key works in the repertoire.

European Opera Academy (EOA)

The HEM’s vocal department forms part of an important exchange programme between eleven European musical institutions: the European Opera Academy (EOA). This programme defines itself as a hub for excellence and aims to offer the particularly advanced students of the partner schools the chance to take part in various modules at one of the schools concerned, as part of an Erasmus or Swiss Mobility Exchange programme.

The Department Through Videos

Studies

Teachers of major disciplines

Quôc-Vinh Luong

Professeur de piano comme instrument secondaire

Talia Or

Professeure de chant

Talia Or will join the HEM as a singing teacher for the 2027–2028 academic yearTalia Or was born into a family of musicians in Jerusalem and grew up in Germany. She started playing the violin as a child. At the age of ten she appeared on stage of the Stadttheater Aachen for the first time.In 2003 she completed her vocal studies for Lied and Oratorio at the University of Music and Theater in Hamburg with honors. She earned her opera diploma in a production of Elisabeth Stöppler. While still a student, she made her stage debut at the Hamburg State Opera.Afterwards she was engaged by the Young Ensemble of the Bavarian State Opera in Munich. At the Staatstheater am Gärtnerplatz she sang as a guest at the same time. Until 2009 she belonged to the ensemble of the house. Here she worked on roles such as Pamina, Anna Reich, Gretel, Lauretta and Rosina.At the Bavarian State Opera she sang Amour /Orphée, the Young Girl/ Moses and Aaron, among others. She received special attention from the critics in 2005 for the role of the Daughter of the Broommaker in Humperdinck's Die Königskinder.Talia Or was lucky enough to work with some major conductors including Zubin Mehta, Lorin Maazel, Gianandrea Noseda, Kirill Petrenko, Fabio Luisi, Ivor Bolton and Andris Nelsons.Among the stations of her operatic career are Parsifal under Lorin Maazel and directed by Werner Herzog at the Palau de las Artes in Valencia, Così fan tutte at the Hamburg State Opera and at the New National Theater in Tokyo in a new production of Damiano Michieletto.One of her greatest successes came in 2012 as Marzelline/Fidelio at the Teatro Regio Torino under Gianandrea Noseda, for which she received enthusiastic applause and the same critics.  She made her debut at La Scala in Milan in Claus Guth's production of Die Frau ohne Schatten.This was followed by engagements as Rosalinde/Die Fledermaus under Leo Hussain at the Landestheater Salzburg, at the Teatro Municipal Sao Paulo as Tatyana/ Evgeny Onegin, as Gretel/Hänsel und Gretel at the Theatre de La Monnaie in Bruxelles under Lothar Königs, and as Eva in the celebrated Potsdam Winter Opera Il primo omicidio (Scarlatti) with the Potsdam Chamber Academy under the direction of Andrea Moses.Talia Or has also made a name for herself as a song and concert singer. Her varied concert repertoire ranges from Bach, Mozart and Rossini to Offenbach, Schönberg, Poulenc and Richard Strauss. Extraordinary highlights were Mahler's 2nd Symphony under Zubin Mehta with the Israel Philharmonic Orchestra, as well as Mozart's C minor Mass under Andris Nelsons and the Christmas Oratorio under Peter Schreier in the Maggio Musicale Fiorentino.Other important engagements have taken her to renowned concert stages such as the Salzburg Festspielhaus, the OSESP São Paolo, the Tel Aviv Philharmonic, the Hamburg Musikhalle and the Munich Gasteig.In addition to the classical repertoire, she interprets with great passion works by contemporary composers such as Sofia Gubaidulina, Fabio Vacchi and Moritz Eggert.Several CD recordings of Talia Or are available. Bach cantatas conducted by Zubin Mehta with the Israel Philharmonic Orchestra, as well as complete recordings of Sisara and L'Armonia, dedicated to the work of Simon Mayr.

portrait de Talia Or
Teachers of minor disciplines
  • Rosa Maria Allegretti
    Diction lyrique : coaching pratique
  • Niel Beardmore
    Diction lyrique : coaching pratique
  • Florence Boissolle
    Étude de rôles avec un chanteur ou une chanteuse
  • Florence Boissolle
    Étude de rôles, Étude de rôles avec un chanteur ou une chanteuse
  • Gabriella Cavasino
    Chant comme discipline secondaire, Didactique instrumentale (chant), Didactique instrumentale ou vocale
  • Jean Gautier-Pignonblanc
    Atelier choral
  • Réginald Le Reun
    Coaching vocal
  • Agnes Lörincz
    Chœur de chambre
  • Quôc-Vinh Luong
    Piano comme instrument secondaire BA, Piano comme instrument secondaire MA
  • Christina Mareske
    Physiologie de la voix
  • Florence Millon Krattenmacher
    Diction lyrique : coaching pratique
  • Mariana Pinto Silva
    Pose de voix
Accompanists
  • Réginald Le Reun
    Accompagnement vocal
  • Agnes Lörincz
    Accompagnement vocal, Accompagnement au piano

Research projects

Events